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Falla, Alicia Nafé, Antonio Ordóñez, Jesús López-Cobos, Cincinnati Symphony Orchestra, May Festival Chorus – La Vida Breve
Label:
Telarc – CD-80317
Format:
CD, Album
Country:
Released:
Genre:
Style:
Tracklist
| La Vida Breve (The Short Life): An Opera In Two Acts | ||
| Act I | ||
| Tableau No. 1 | ||
| 1 | Scene 1 | 8:18 |
| 2 | Scene 2 | 3:56 |
| 3 | Scene 3 | 7:00 |
| 4 | Scene 4 | 0:55 |
| 5 | Scene 5 | 3:08 |
| 6 | Scene 6 | 4:07 |
| Tableau No. 2 | ||
| 7 | Intermezzo | 7:43 |
| Act II | ||
| Tableau No. 1 | ||
| 8 | Scene 1 | 3:03 |
| 9 | Dance | 3:24 |
| 10 | Scene 2 | 3:52 |
| 11 | Scene 3 | 7:47 |
| Tableau No. 2 | ||
| 12 | Dance No. 2 | 5:32 |
| 13 | Final Scene | 4:19 |
Companies, etc.
- Phonographic Copyright (p) – Telarc
- Copyright (c) – Telarc
- Copyright (c) – Lisa Kohler
- Copyright (c) – Jesus Alcantara
- Record Company – Telarc International Corporation
- Manufactured By – Digital Audio Disc Corporation, Terre Haute
- Glass Mastered At – DADC – DIDX-014301
- Pressed By – DADC
- Recorded At – Music Hall, Cincinnati
Credits
- Art Direction – Ray Kirschensteiner
- Baritone Vocals [Manuel] – William McGraw
- Baritone Vocals [The Singer] – Gabriel Moreno (2)
- Bass Vocals [Bass-baritone, Uncle Sarvaor] – Michael Wadsworth
- Chorus – May Festival Chorus
- Composed By – Manuel De Falla
- Conductor [Cincinnati Symphony Orchestra] – Jesús López-Cobos
- Cover [Cover Design] – Anilda Carrasquillo
- Cover [Cover Illustration] – Hilary Knight
- Directed By [May Festival Chorus] – Robert Porco
- Editor – Rosalind Ilett
- Engineer [Recording Engineer] – Jack Renner
- Executive-Producer – Robert Woods (2)
- Flamenco Guitar – Carmelo Martínez (2)
- Libretto By – Carlos Fernández Shaw
- Liner Notes [English] – David Loebel
- Liner Notes [French] – Patricia Dussaux
- Liner Notes [German] – Gila Fox
- Mezzo-soprano Vocals [Grandmother] – Catherine Keen
- Mezzo-soprano Vocals [Salud] – Alicia Nafé
- Orchestra – Cincinnati Symphony Orchestra
- Other [Flamenco Dancer], Castanets – Lucero Tena
- Photography [Antonio Ordóñez] – A. Bofitt
- Photography By [Alicia Nafé] – Columbia Artists Management, Inc.
- Photography By [Carmelo Martinez] – Carmelo Martínez (2)
- Photography By [Gabriel Moreno] – Gabriel Moreno (2)
- Photography By [Jesús López-Cobos] – Mark Alexander (5)
- Photography By [Karen Notare, Catherine Keen] – Lisa Kohler
- Photography By [Lucero Tena] – Gyenes
- Photography By [Manuel Cid] – Jesus Alcantara
- Photography By [Michael Wadsworth] – Michael Wadsworth
- Photography By [William McGraw] – Sandy Underwood
- Producer [Recording Producer] – James Mallinson
- Production Manager [Production Supervisor] – Elaine Martone
- Soprano Vocals [Carmela] – Karen Notare
- Technician [Technical Assistance] – Michael Bishop, Thomas Knab
- Tenor Vocals [A Voice] – Manuel Cid
- Tenor Vocals [Paco] – Antonio Ordóñez*
Notes
Total Playing Time [63:19]
Recorded in Music Hall, Cincinnati, Ohio, March 1-2, 1992
Microphones:
•Main: Neumann M-50b (tube), Schoeps M-221B/MK-5 (tube)
•Soloists: Sennheiser MKH-40
•Chorus: Schoeps MK-21
Console: Ramsa WR-5824-B custom engineered by John Windt
Digital Recording Processor: Ultra-Analog 20-Bit, 128 times oversampling A/D, custom engineered by Kenneth Hamann
Microphone & Interconnecting Cables: Music Interface Technologies Proline, Shotgun Terminator Speaker Cables, Monster Cable Series I & Series III Prolink
Monitor Speakers: Waveform Mach 7 (Bi-Amplified) by Ötvös Industries
Monitored Through Madrigal Audio Labs proceed PDP-II D/A
Power Amplifiers: Threshold SA-12e & Krell KSA-250
Exclusive Control Room Acoustic Treatment: [RPG logo] RPG Abblusions & Diffusors
Digital Editing: Sony DAE 3000
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Printed on inlay card and booklet rear:
℗©1992 TELARC® All Rights Reserved
Telarc International Corporation
23307 Commerce Park Road • Cleveland, OH 44122 U.S.A.
Printed in U.S.A.
Printed on disc:
Manufactured by Digial Audio Disc Corporation, Terre Haute, Indiana, under authority of Telarc International Corporation, Cleveland, Ohio, U.S.A.
℗©1992 TELARC®
Made in U.S.A.
CD comes packaged in a standard plastic jewel case, and includes a 44-page booklet with notes in English, German and French, and libretto in Spanish and English.
Recorded in Music Hall, Cincinnati, Ohio, March 1-2, 1992
Microphones:
•Main: Neumann M-50b (tube), Schoeps M-221B/MK-5 (tube)
•Soloists: Sennheiser MKH-40
•Chorus: Schoeps MK-21
Console: Ramsa WR-5824-B custom engineered by John Windt
Digital Recording Processor: Ultra-Analog 20-Bit, 128 times oversampling A/D, custom engineered by Kenneth Hamann
Microphone & Interconnecting Cables: Music Interface Technologies Proline, Shotgun Terminator Speaker Cables, Monster Cable Series I & Series III Prolink
Monitor Speakers: Waveform Mach 7 (Bi-Amplified) by Ötvös Industries
Monitored Through Madrigal Audio Labs proceed PDP-II D/A
Power Amplifiers: Threshold SA-12e & Krell KSA-250
Exclusive Control Room Acoustic Treatment: [RPG logo] RPG Abblusions & Diffusors
Digital Editing: Sony DAE 3000
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Printed on inlay card and booklet rear:
℗©1992 TELARC® All Rights Reserved
Telarc International Corporation
23307 Commerce Park Road • Cleveland, OH 44122 U.S.A.
Printed in U.S.A.
Printed on disc:
Manufactured by Digial Audio Disc Corporation, Terre Haute, Indiana, under authority of Telarc International Corporation, Cleveland, Ohio, U.S.A.
℗©1992 TELARC®
Made in U.S.A.
CD comes packaged in a standard plastic jewel case, and includes a 44-page booklet with notes in English, German and French, and libretto in Spanish and English.